By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans
Just like the works already released, those most up-to-date volumes of the Biographical Dictionary care for theatre humans of each ilk, starting from dressers and one-performance actors to trumpeter John Shore (inventor of the tuning fork) and the incomparable Sarah Siddons.Also renowned is Susanna Rowson, a novelist, actress, and early woman playwright. even if born right into a British army family members, Rowson frequently wrote performs that handled patriotic American topics and spent a lot of her profession at the American stage.The theatrical jewel of those volumes is the "divine Sarah" Siddons: "She raised the tragedy to the skies," wrote William Hazlitt, and "embodied to our mind's eye the fables of mythology, of the heroic and dignified mortals of elder time." She persevered a lot tragedy herself, together with a crippling debilitating affliction and the deaths of 5 of her seven young ones. Siddons performed significant roles in either comedy and tragedy, no longer the least of which was once a functionality as Hamlet.
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Extra info for A Biographical Dictionary of Actors, Volume 13, Roach to H. Siddons: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800
D. Odell's Annals of the New York Stage. Robertson repeated his act on 15 June, for Hodgkinson's benefit on 15 July, for his own on 17 July, for Dunlap again on 22 July, for Hallam on 27 July, and on the last night of the performance, 29 July. From those New York engagements Robertson went to Philadelphia, joining the Chestnut Street Company in their temporary quarters at the old Southwark house. He gave a series of performances from 12 to 21 September 1801. William B. " On Friday Evening September 12th, 1801 Will be presented for the first time a new comedy by O'Keefe, called THE LONDON HERMIT.
He was listed among the lutes and voices. In July 1632 Robert was granted £15 for a new theorbo (double-necked lute). He later claimed to have served Henrietta Maria, consort of Charles I, at her Catholic Chapel at Somerset House for 40 years; his service with her presumably began in 1629 and continued to her death in 1669. He became leader of her band of musicians, according to Harley in Music in Purcell's London, and it is probable that he accompanied her on at least some of her journeys over the years.
Hill's comment on Roberts's solemnity was confirmed in The Theatrical Squabble (1733): Next Robts grave, and slow, moves surly on With Arms across, and damns th' ungrateful Town: Dull, droning, one long irksome Stile he keeps, Drawling he dreams, and the tir'd Audience sleeps: Imperfect too, with Spleen and Vapours vext, He gravely asks the PrompterWhat is next? John Roberts moved to Covent Garden Theatre for the 173435 season, appearing first on 23 September 1734 as Sullen in The Stratagem. Then he acted Cecil in The Albion Queens, Don Quixote (at Lincoln's Inn Fields, where the Covent Garden troupe occasionally performed), Burleigh in The Unhappy Favorite, Acasto in The Orphan, Balance in The Recruiting Officer (at Lincoln's Inn Fields), Baldwin in The Fatal Marriage, Hellebore in The Mock Doctor, Page 10 Brabantio in Othello, Dervise in Tamerlane, and Lucius in Cato.